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[RACE, PLACE, AND IDENTITIES: REVISIONS FROM THE LEFT
Editor's Introduction]  |
| Judith DeGroat and David Kinkela
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| Pages: 1-4 |
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| [INTERVENTIONS] |
| Van Gosse and Kavita Philip
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| Mumia Abu-Jamal and the Social Wage of Whiteness |
| Pages: 5-14 |
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| [FEATURES] |
| Amy Kesselman
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| Women's Liberation and the Left in New Haven, Connecticut, 1968-1972 |
| Pages: 15-34 |
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| Pheobe S. Kropp
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| Citizens of the Past?: Olvera Street and the Construction of Race and Memory in 1930s Los Angeles |
| Pages: 35-60 |
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| Jeanne F. Theoharis
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| "We Saved the City": Black Struggles for Educational Equality in Boston, 1960-1976 |
| Pages: 61-94 |
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| [PUBLIC HISTORY] |
| Albert Grundlingh
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| A Cultural Conundrum? Old Moments and New Regimes: The Voortrekker Monument as Symbol of Afrikaner Power in a Postapartheid South Africa |
| Pages: 95-112 |
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| Mary Nolan
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| The Politics of Memory in the Berlin Republic |
| Pages: 113-132 |
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| [REFLECTIONS] |
| Danny Walkowitz
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| Debra E. Bernhardt: Activist, Archivist, Historian |
| Pages: 133-136 |
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| Janet Wells Greene, editor
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| The Making of a "Practical Radical": An Interview with Debra E. Bernhardt |
| Pages: 137-151 |
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| [(RE)VIEWS] |
| David Kinkela
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| Singing Once Again on Mermaid Avenue: Review of Billy Bragg and Wilco, Mermaid Avenue, and Mermaid Avenue, Vol II |
| Pages: 153-161 |
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| Diana L. Linden
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| Monumental Acts: American Public Sculpture and the Representation of Race, Gender, and Class: Review of Melissa Dabakis, Visualizing Labor in American Sculpture: Monuments, Manliness, and the Work Ethic, 1880-1935, and Kirk Savage, Standing Soldiers, Kneeling Slaves, War, and Monument in Nineteenth-Century America |
| Pages: 162-169 |
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| R. J. Lambrose
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| The Abusable Past |
| Pages: 171-175 |
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| [NOTES ON CONTRIBUTORS] |
| Pages: 176-177 |
